• Art, Migration, and Human Rights

  • Menu
  • Topics
    • Introduction
    • Remapping Migration: Rights, Body, and Resistance
    • The Performance of Control and Security
    • Actors, Networks, and Counter-Machines
    • Gender, Sexuality, and Migration
    • The Politics of Care: Mourning, Memory, and Forensics
    • Art and Performance
    • Collaborative Pedagogies
  • Where We Went
    • Albergue Jesus El Buen Pastor and Refugio los 3 Ángeles
    • Casa del Migrante Hogar de la Misericordia
    • Centro de Ayuda Humanitaria a Migrantes, Chahuites, Oaxaca
    • Centro de Derechos Humanos Fray Matías de Córdova
    • Checkpoint Tamara
    • Checkpoint Huixtla, Chiapas
    • Ciudad Tecún Úman
    • Comisión Nacional de los Derechos Humanos, Sede de Tapachula
    • Estación de Tren Arriaga
    • Estación de Tren Chontalpa
    • FOMMA – Fortaleza de la Mujer Maya
    • La 72 Hogar – Refugio para personas migrantes
    • Oventik
    • Panteón Municipal Arriaga
    • Paso del Coyote
    • Roberto Barrios
  • What We Saw
  • Course Blog
  • This Dossier
    • Syllabus
    • Contributors
    • Interviews
    • Media Coverage
    • Ayotzinapa
    • Crossing Mexico Conference
    • Permanent People’s Tribunal (PPT)
  • Bibliography

Archives

  • February 2017
  • August 2015
  • July 2015
  • 0

Categories

  • Class 2: Migration
  • Class 3: Rights and Vulnerabilities
  • Class 4: Seeing and Violence
  • Class 5: Defacement
  • Class 6: Remains/Forensics
  • control and security
  • Reading responses
  • Uncategorized
Posted on August 1, 2015January 24, 2017

Class 6: Remains and Forensics

Posted on August 1, 2015January 24, 2017 by

Posted on August 1, 2015January 24, 2017

Class 6: Remains and Forensics

Posted on August 1, 2015January 24, 2017 by

Posted on August 1, 2015January 24, 2017

El cuarto de huesos

Posted on August 1, 2015January 24, 2017 by

Posted on August 1, 2015January 24, 2017

Forensics

Posted on August 1, 2015January 24, 2017 by

Posted on August 1, 2015January 24, 2017

Remains that matter: politics of memory

Posted on August 1, 2015January 24, 2017 by

Posted on August 1, 2015January 24, 2017

Las huellas

Posted on August 1, 2015January 24, 2017 by

Posted on August 1, 2015January 24, 2017

Socially Engaged Art

Posted on August 1, 2015January 24, 2017 by

Posted on August 1, 2015January 24, 2017

Remains of The Dead

Posted on August 1, 2015January 24, 2017 by

Posted on August 1, 2015January 24, 2017

We still have so much to talk about…

Posted on August 1, 2015January 24, 2017 by

Posted on August 1, 2015January 24, 2017

Art & forensics: an approach?

Posted on August 1, 2015January 24, 2017 by

Posted on August 1, 2015January 24, 2017

Margolles: Reversal vs. Repair

Posted on August 1, 2015January 24, 2017 by

Posted on August 1, 2015January 24, 2017

The Sacrifice of the Madres

Posted on August 1, 2015January 24, 2017 by

Posted on August 1, 2015January 24, 2017

neoliberal death and the value of objects

Posted on August 1, 2015January 24, 2017 by

Posted on August 1, 2015January 24, 2017

What do bodies say after death?

Posted on August 1, 2015January 24, 2017 by

Posted on August 1, 2015January 24, 2017

The Last Chance?

Posted on August 1, 2015January 24, 2017 by

Posted on August 1, 2015January 24, 2017

Tracing traces of the dead

Posted on August 1, 2015January 24, 2017 by

Posted on August 1, 2015January 24, 2017

The Forensics of Necropolitics

Posted on August 1, 2015January 24, 2017 by

Posted on August 1, 2015January 24, 2017

Power in the Blood

Posted on August 1, 2015January 24, 2017 by

Posted on August 1, 2015January 24, 2017

From an Ethics of Forensics to an Ethics of Art: Gut Reactions

Posted on August 1, 2015January 24, 2017 by

Posted on August 1, 2015January 24, 2017

Remains/Forensics/More defacement

Posted on August 1, 2015January 24, 2017 by

Posted on August 1, 2015January 24, 2017

Remains/Forensics

Posted on August 1, 2015January 24, 2017 by

Posted on August 1, 2015January 24, 2017

Representation in an era of necropolitics

Posted on August 1, 2015January 24, 2017 by